Mia Doi Todd
Country of origin:
U.S.
Type of music generally:
Indie folk pop
Status:
Most recent release, Gea (2008)
See also:
Mia Doi Todd's site
Comparisons:
Joni Mitchell, Robin Holcomb
Covers/own material:
Own, occasional cover
General comments:
Mia is the daughter of an Irish-American sculptor (dad) and a Japanese-American judge (mom), is classically trained (and a Yale grad), and studied traditional dance in Japan.
For some reason the singer she reminds me of most is Robin Holcomb, although they sound entirely different. They seem to have sort of the same quiet poetic vision and spaciousness in their music. (valrichardson@igc.org)
Comments about live performance:
When I had to think of the best concert of the year (1999), Mia Doi Todd's opening set immediately sprang to my mind. Perhaps it was because it was so unexpected, but she was such a clever songwriter and quiet but intense singer. It's been a while since I was so totally struck by a concert. Her CD Come Out Of Your Mine perfectly captured the thrill of the concert. An amazing find. (Neal)I saw her open earlier in the tour and thought it was one of the most turgid sets I had ever witnessed. (1999, Neile)
I had the pleasure of experiencing Mia Doi Todd here in Oslo yesterday. the programme said "Folk Implosion —Mia Doi Todd (US) + Alaska (US)". since I've never heard of Folk Implosion, I thought Mia was the headliner, and since headliners never enter the stage until 23 (at least on a Friday), I showed up at 22. horrors! Mia was already on the stage! the people at the door were amused by my misunderstanding—evidently Folk Implosion is led by some guy from Sebadoh and Dinosaur Jr, bands which I at least have heard of, despite being of the female vocalist persuasion, whereas they seemed to think Mia was a nobody in Norway (they're probably right, although being on Sony at least means her newest album is readily available).
so I missed out on Alaska (not to worry), and only caught twenty minutes of Mia. she was all alone with an acoustic guitar on the stage. most of the people in the club were way back, mostly out of sight and earshot during her subdued set. only about twenty people approached the stage and paid close attention. she did "88 Ways" and a couple of older songs (I presume) which I've never heard before, then she quietly started packing her guitar into its case. what an extraordinarily unassuming and humble person! of course, we called out and pleaded with her to do just one more. she looked up in surprise, pulled out her guitar and did "Hijikata". absolutely wonderful! (5/11/03, kjetilho@ifi.uio.no)
Recommended first album:
The Golden State
Recordings:
- The Ewe & the Eye (1997)
- Come Out of Your Mine (1999)
- Zeroone (2001)
- The Golden State (2002)
- Manzanita (2005)
- La Ninja: Amor and other dreams of Manzanita (remixes, 2006)
- Gea (2008)
The Golden State
Release info:
2002—Columbia Records
Availability:
Wide
Ecto priority:
Highly recommended
Group members:
Mia Doi Todd—nylon and acoustic guitars, piano, keyboards, loops, vocals
Guest artists:
Nels Cline—electric guitars
Mitchell Froom—keyboards (Chamberlain harpsichord, Chilton Talentmaker, clavinet, claviola, electric harmonium, field organ, Hammond chord organ, harmonium, Indian harmonium, orchestron, piano, prepared piano, Vox Continental Baroque organ)
Davey Faragher—electric bass
Jerry Marotta—drums, percussion
Produced by:
Mitchell Froom, Yves Beauvais and Mia Doi Todd
Comments:
I don't know that I've ever written into Ecto to recommend a CD (I'm always on the receiving end of the recommendations here), but I'm enthusiastically recommending Mia Doi Todd's new release Golden State, which I guess is her first major label release.
I watched a video bio clip. Her producer, Mitchell Froom, talked about wanting to keep the sound of the CD very modest. From what I've read, Mia has a multi-octave voice, but her vocal range on the CD is kept very narrow with one or two exceptions. Her voice is a very precise instrument and described as crystalline, although the sound is somewhat breathy and husky rather than tinkly. (valrichardson@igc.org)Anyone who remembers Neal's and my opposing commentary on seeing Mia Doi Todd opening for Kristin Hersh a couple of years back (Neal found her fascinating and bought her current cd; I found her set interminable beyond belief and couldn't believe that anyone could like her music) will be surprised to learn that I bought The Golden State.
I came across a sample from the album, "Digital", and really liked it and since a local store advertised her discs on sale for $8.99 I decided to pick it up. I've only had it a couple of days and haven't listened to it all that much.
But I have listened to it enough to find that for me it is a really mixed experience. I love "Digital" but there are a couple of tracks that remind me of that horrible experience seeing her live. I think that for me she works best when she's doing songs with a quicker pace. The slower ones become bogged down for me by the slightly forced quality of her voice and make me rush to pull the disc out.
I still love "Digital" though, so I'll be giving this more chances. [I did ditch the album a while later.] (Neile)The album got some airplay on KCRW, and I liked it quite a bit. I'm not particularly fond of her earlier work, but I like what Mitchell Froom did with her sound. (ebv1@charter.net)
Thanks to JoAnn Whetsell for work on this entry.
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