Country of origin:
Type of music generally:
Most recent release, Losing My Skin (1995)
Lazy Bull Music (Jen Bernard's site)
Sandy Denny, Pentangle most closely
Own, traditional, early music, covers
The quickest description of Jen Bernard's sound I can think of is if early Joni Mitchell sang Sandy Denny's style of material. She has a voice with the purity of early Joni Mitchell but also Sandy Denny's power and ability to make songs come alive as though she were the only one who had ever sung them. You will believe me when you hear her version of Tori Amos's "Sister Janet"—and makes it her own (well, of course you have to at least start by being willing to hear someone cover Tori). She sounds equally at home with early music, traditional British folk, and her own compositions. Impressive. (Neile)
Recommended first album:
Losing My Skin is her sole solo release to date (2005)
See Lazy Bull Music or CD Baby
Jen Bernard—vocals, acoustic guitar, flute, organ
Kate Black—vocal, mandola
This album is all over the map as far as source material goes, though it's bound together with the strength of Jen Bernard's wonderful vocals and interpretive abilities. Both have rare clarity and beauty. She begins the album with a ballsy cover of Tori Amos's "Sister Janet" (ballsy because few dare take on a song interpreter like Tori Amos). She moves easily to evocative songs of her own composition, to a few tracks that sound like early Fairport Convention, to early music and traditional songs. All are lovely. Highly, highly recommended. (Neile)
Jen Bernard also performs as part of the Ariel Consort (at weddings and other events, Jen & Wendy (children's music), The Stolen Sweets (30s jazz), and Carmina Luna (gothic chamber folk)
DISCLAIMER: Comments and reviews in the Ectophiles' Guide are excerpted from the ecto mailing list or volunteered by members of the list. They are the opinions of music enthusiasts, not professional music critics.
|Entry last updated 2007-11-22 17:14:10.
Please request permission if you wish to
reproduce any of the comments in the
Ectophiles' Guide in any context.
The Ectophiles' Guide to Good Music is copyright © 1996-2004 by the editors.
Individual comments are copyright © by their authors.
Web site design and programming copyright © 1998-2004 usrbin design + programming.
All rights reserved.